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CD Tamba Trio - Pure Bossa Nova - Importado
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CD Tamba Trio - Pure Bossa Nova - Importado
No one can argue that this collection of cuts by Brazil's Tamba Trio isn't a welcome one. It contains 14 tracks from albums recorded between 1962 and 1964, when the group was riding high in its native country and breaking through in Europe, Japan, and the United States (the latter to a lesser agree). The Tamba Trio featured pianist Luizinho E a, bassist Bebeto (born Adalberto Castilho), and drummer Helcio Milito, who brought the music of their countrymen to the wide open ears of the world, whose listeners got behind the amazing combination of musicianship and three-part harmony that became this group's trademark. E a is one of the most innovative pianists his country ever produced. He was schooled in classical music but was also a jazz pianist of astonishing vision, lyricism, and technical acumen. All three men did time singing with others and playing in various groups in Brazil until they began to rearrange the bossa nova for their particularly soulful, sophisticated, and swinging take. This volume assembles cuts from their early albums, especially the singles. There's Dori Caymmi's "O Samba da Minha Terra," Baden Powell and Vin cius de Moraes' "Consola o," and Ed Lobo's "Borand ," as well as tunes by Antonio Carlos Jobim with de Moraes ("S Dan o Samba") and Aloysio de Oliveira ("S Tinha de Ser Com Voc ") and Newton Mendon a ("Samba de uma Nota S "), as well as a young Marcos Valle with the truly classic "Sonho de Maria," written with Paulo Sergio. But it isn't just the tunes, all of which had been -- or would be -- covered by virtually everyone else on the Brazilian scene; it's the deep integration of hardcore swinging jazz, which was more rhythmically intense than what the Americans were doing. Check the live version of "S Tihna de Ser Com Voc " -- which has its roots in the sounds of both Erroll Garner and Teddy Wilson, and with its extrapolated vocal harmonies (all done in a live setting in front of an audience), with dynamics that shift time signatures in the middle of phrases -- and you get an idea just how wild and new this stuff was, and in many ways remains.
No one can argue that this collection of cuts by Brazil's Tamba Trio isn't a welcome one. It contains 14 tracks from albums recorded between 1962 and 1964, when the group was riding high in its native country and breaking through in Europe, Japan, and the United States (the latter to a lesser agree). The Tamba Trio featured pianist Luizinho E a, bassist Bebeto (born Adalberto Castilho), and drummer Helcio Milito, who brought the music of their countrymen to the wide open ears of the world, whose listeners got behind the amazing combination of musicianship and three-part harmony that became this group's trademark. E a is one of the most innovative pianists his country ever produced. He was schooled in classical music but was also a jazz pianist of astonishing vision, lyricism, and technical acumen. All three men did time singing with others and playing in various groups in Brazil until they began to rearrange the bossa nova for their particularly soulful, sophisticated, and swinging take. This volume assembles cuts from their early albums, especially the singles. There's Dori Caymmi's "O Samba da Minha Terra," Baden Powell and Vin cius de Moraes' "Consola o," and Ed Lobo's "Borand ," as well as tunes by Antonio Carlos Jobim with de Moraes ("S Dan o Samba") and Aloysio de Oliveira ("S Tinha de Ser Com Voc ") and Newton Mendon a ("Samba de uma Nota S "), as well as a young Marcos Valle with the truly classic "Sonho de Maria," written with Paulo Sergio. But it isn't just the tunes, all of which had been -- or would be -- covered by virtually everyone else on the Brazilian scene; it's the deep integration of hardcore swinging jazz, which was more rhythmically intense than what the Americans were doing. Check the live version of "S Tihna de Ser Com Voc " -- which has its roots in the sounds of both Erroll Garner and Teddy Wilson, and with its extrapolated vocal harmonies (all done in a live setting in front of an audience), with dynamics that shift time signatures in the middle of phrases -- and you get an idea just how wild and new this stuff was, and in many ways remains.
CD Tamba Trio - Pure Bossa Nova - Importado
R$ 64,90
* Confira sempre o valor atualizado antes de efetuar a compra.
